![]() Harlin has a knack for realizing this and offering great action/suspense and an acceptable level of cliché that is just part of the genre. Sure, an action hero has got to be badass to a point, but some are just plain old silly since it totally conflicts with the drama they a film often tries to inject into its characters. Many films fail at this by providing an assault on the senses for action, lame attempts at drama (that can be side-stepped in an action film with some cliché), and unrealistically badass characters. In an action movie, clichés are inevitable, since the focus is on action and not deep plot. Despite some corny story elements (this is an action movie, remember) and some glaringly obvious CGI (I don't think they dared use real sharks for some scenes!) it is still entertaining since the clichés are not there to the point of insult. A scene where a helicopter crashes resulting in a tremendous explosion is a terrific example of this and it only gets better from there. But that is really no matter since it works wonderfully. He really captures the motion of the action that is happening, and he manages to do it in a nice graceful fashion, which is ironic in capturing utter chaos. He directs great action scenes that make use of a variety of techniques and not just the quick frenetic cutting that other action directors seem to love. Directed by the quite underrated Renny Harlin who has never had too much success after the smash sequel to "Die Hard" and the reasons are all beyond me. And it knows it, and as a result, that is just what it serves. The science is perhaps a little less fascinating that the science (or, rather, science-fiction) of "Jurassic Park," and the science aspect of the film is kept to a minimum as this film is all about suspense. Nicely done elaborate sets, tense pacing, and some truly heart-pounding moments as scientists who have become trapped in an underwater, and slowly sinking deeper, facility try to make it out alive. But this movie is all about the execution. If that's the case, then this movie is simply "Jaws" meets "Aliens" via "Godzilla" or "Jurassic Park." It is a very simple premise. Sometimes you can put in a "via *yet another movie title*" at the end for additional detail. The premise of many movies can usually be crudely approximated by saying that it is: *insert movie title here* meets *another movie title*. It's an effective shark film, and it tires to be a good film. The film doesn't necessarily bring anything new to the table, but again it keeps you guessing and at times it keeps you on the edge of your seat. Deep Blue Sea is pure popcorn entertainment. The shark puppets look great, but the same cannot be said for the cgi shark effects, it's dated and doesn't hold up. Director Renny Harlin effectively uses the timing, suspense and the element of surprise so kudos to him. The whole time you have no idea who is going to die next, and those sharks are relentless and a lot more vicious. Of course in a film like this it's expected. The problem with this film is that, although the shark attacks are effective, it tries a lot to make you uncomfortable and it becomes too one-noted. The shark deaths are brutal and unforgiving and may make some uneasy. ![]() Jackson also has a decent supporting role as Russell Frankin, the research team's financial backer. LL Cool J and Michael Rapaport provide sharp wisecracks and provide the film's humor. Plus he holds his breath under water like no human can which can be impressive, but again a bit of a stretch. Almost unrealistic, but the movie is so fun you just kinda go along with it and Jane handles the actions scenes quite well. He also somehow magically dodges every shark that comes towards him and rides on their fins like Aquaman. Thomas Jane is good in the role Carter Blake, who is a shark wrangler. McAlester is so driven for a cure, but ultimately it's all her fault for the events that take place in the film. However, in doing so he at least allows you to get to know the characters before they're shark food, some more than others. What director Renny Harlin establishes is that anyone can die, the whole cast is expendable, and ultimately fodder. In a genre full of clichés, this film at least keeps you guessing here and there. Jim Whitlock(Stellan Skarsgard) violated the code of ethics and genetically engineered the sharks to increase their brain size, with the side effect of the sharks getting smarter and bigger. Researchers and scientists harvest brain fluids from sharks for a cure for Alzheimer's disease, but unknown to the other scientists, Dr. So how do you approach a shark film without repeating Jaws? The answer is Deep Blue Sea. The problem with shark films is that, once you hear about it, people immediately think of Steven Spielberg's masterpiece Jaws.
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